Pulled in Different Directions – Gravity (part two)

In the previous post, I explained the allusive nature of film, and the fact that films can be open to more than one way of reading them. The first way of reading Gravity is to see it as an impressive, but straightforward action movie with no deeper meanings – that is, reading it denotatively. The…

Fixing the world: Beasts of the Southern Wild

Beasts Of The Southern Wild Day four of the Keswick Unconventional Film Club found us watching Beasts of the Southern Wild, Benh Zeitlin’s extraordinary magic realist film, which is unlike any other I can think of. During or after our discussion yesterday evening, one person compared aspects of it to Terrence Malick’s The Tree of…

Shaming the wise

Judi Dench and Steve Coogan in Philomena. © Pathé, 2013. Used by permission Day two of the Keswick Unconventional Film Club was absolutely packed for watching and discussing Philomena. Directed by Stephen Frears from a screenplay by Steve Coogan and Jeff Pope, it’s a film which is loved by audiences and critics alike. It won…

The Importance of Beauty

Greg Wolfe is the founder and editor-in-chief of Image journal, which has just celebrated it’s 25th anniversary. In an interview with Brett Beasley of Curator magazine, Wolfe makes the following observation: One of the key dimensions of beauty that theologians and philosophers consistently refer to is beauty’s disinterestedness. The very nature of beauty is that it…

Art’s Desire: Responding to Film and Literature (part five)

This is the fifth in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Celebrate the good1 Image from iStockPhoto.com If the ideas actually make sense, we need to acknowledge that fact, even…

© Phil Shirley. Used under a Creative Commons (CC-BY-NC-ND-2.0)

Art’s Desire: Responding to Film and Literature (part three)

This is the third in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Five aspects of responding to art If, then, art and media are the product of people made in the…

© Humberto Marum. Used under a Creative Commons licence

Art’s Desire: Responding to Film and Literature

This is the first in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Reflecting or shaping? Marvin doesn’t like living in a media-dominated world. He doesn’t watch television, avoids the cinema, shuns…

Pulled in Different Directions – Gravity (part one)

This post has been delayed as I’ve been away and without internet access for the last week. Part two will be published in a little while.   The final day of the Keswick Unconventional Film Club was, for me at least, the most fun of the week. Having found myself in a little Twitter debate…

Sons and Fathers – Son of Rambow

Day three of the Keswick Unconventional Film Club had smaller numbers as Son of Rambow is nowhere near as well known as Blue Jasmine and Philomena. Written and directed by Garth Jennings (his directorial debut) and released in 2008, this eccentric gem of a movie is one of the best films about growing up. I’m…

Money Blues

Cate Blanchett in Blue Jasmine; © Gravier Productions, Inc./Warner Bros., 2013. Used by permission. I’m running the Keswick Unconventional Film Club at the Keswick Convention this week. It’s the first time we’ve run it, though we did have a one-off film discussion one wet afternoon last year. I’m planning to write a brief blog each…

Relish This Remarkable Ride – About Time

Richard Curtis is almost an icon of British romantic comedy, thanks to Four Weddings and a Funeral (1994), Notting Hill (1999), and Love Actually (2003). About Time is very much a comedy in the Curtis style, and love is the central ingredient, but ultimately it is not so much about romantic love, as the love…

The Past Comes Flooding Back – The Sea

Film & Bible Blog Article The Past Comes Flooding Back Image © Independent Film Company, 2013. Used by permission. Art historian Max (Ciarán Hinds) is grieving after the recent loss of his wife, Anna (Sinéad Cusack), to cancer. Against the advice of his daughter Clare (Ruth Bradley), he goes to stay in a boarding house…

Art’s Desire: Responding to Film and Literature (part six)

This is the last in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Two more aspects of responding to film and literature 4. Morality Image from iStockPhoto.com We have considered the moral…

Art’s Desire: Responding to Film and Literature (part four)

This is the fourth in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Image from iStockPhoto.com Worldviews in film and literature While not wishing to over-emphasise this aspect of responding to art…

© Ian Broyles. Used under a Creative Commons (CC-BY-NC-SA-2.0)

Art’s Desire: Responding to Film and Literature (part two)

This is the second in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Two-faced human beings Adam and Eve were tempted by the freedom to make their own moral choices; they wanted…

The God Question

This is the trailer for a television series examining science and faith, origins and explanations. It’s been put together by Iain Morris of Kharis Productions (he has been working on it for as long as I’ve known him, which is three years). It features probing interviews with prominent atheists, including Sam Harris, the late Christopher…