A thousand years in the future, the high-tech world of the 21st-century is ancient history. It is of interest only to archaeologists who look for old tech – fragments left after from the 60-minute war which wiped away civilisation around the globe. Facing dwindling resources, the towns and cities have become mobile, travelling around the plains on vast caterpillar tracks in pursuit of smaller, slower towns which are sources of valuable resources as well as potential competition. This is “Municipal Darwinism” – survival of the fastest. The largest of the predator cities is London – a vast multi-deck machine with enormous metal jaws into which can be drawn prey such as the small mining town which attempts to escape at the start of this story.
The Old Testament raises some tricky questions of morality for people living in the contemporary world, at least in the west. The alleged 'genocide' of the Canaanites is one that I hear frequently. It isn't only people who are not Christians who have questions about it; Christians often feel embarrassed about these parts of the Old Testament. However, I am am convinced that there are some very good responses to these issues. I tried to outline a few responses in the first of a series of four sessions tackling difficult questions during Above Bar Church's Discipleship School in the autumn of 2014.
This is the last in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Two more aspects of responding to film and literature 4. Morality Image from iStockPhoto.com We have considered the moral […]
This is the fourth in a series of six posts, which was first published as an article in Anvil journal, Volume 28 No 3 (November 2012), and is published here by kind permission of the editor. Image from iStockPhoto.com Worldviews in film and literature While not wishing to over-emphasise this aspect of responding to art […]
Mike Hertenstein, 'Movie Nazis & After the Truth', Filmwell, 28 April 2009 Mike Hertenstein writes a very interesting piece about 'Movie Nazis' over at Filmwell. Primarily it's a piece reflecting on After the Truth, a film written by Americans but finally made by German filmmakers in the late 1990s. But in a long introduction, Hertenstein […]
Cal McAffrey (Russell Crowe) is covering the story of an apparently random shooting in Washington DC for his paper, the Washington Globe, when he sees an old friend of his on the news. Stephen Collins (Ben Affleck) is a rising star in Congress. He’s handsome, bright and ambitious, and is chairing a committee investigating defence spending. What catches McCaffrey’s attention is that Collins’s attractive young research assistant, Sonia Baker, has died – and Collins is clearly very cut up about it. McAffrey is irritated when a very junior colleague, the Globe’s political blogger Della Frye (Rachel McAdams), comes to ask if Collins was having an affair with Sonia. McAffrey rebuffs her enquiries, but before long their demanding editor, Cameron Lynne (Helen Mirren) has them working together on the story. It’s a story of deceit, corruption and murder. Apparently unrelated events turn out to be connected, and nothing is quite as it first seems.
Daily Telegraph, 13 April 2009 Today's fast-paced media could be making us indifferent to human suffering and should allow time for us to reflect, according to researchers. They found that emotions linked to moral sense are slow to respond to news and events and have failed to keep up with the modern world. . . […]
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